The Aestheticization of Subjective Noumena: An Mereological Nihilist's Perspective

The Uniqueness of Our Brains

Our brains are not magical. They did not grow out of nothing. From the moment we were fetuses and throughout our childhood, we took in matter. The unconscious beans we ate as young children are now part of our brain. The molecules that make up our brain will, eventually, be consumed by worms. If consciousness is caused by the organization of energy, such as the shape of our brains, then it is worth noting that we are a we - molecules aware of ourselves, and we will most likely experience again. The receptors that are working to type these words now may, in the future, be part of a bird's brain. Can we explain why this is aesthetic? I believe this is the aestheticization of subjective noumena.

Mereological Nihilism: The Constant State of Change

As a mereological nihilist, I believe in one truth. It is constantly changing, and it is the state of things as they are now—the truth. We call it the universe, and it is all there is. Anything else is just a defined subcategory. This is true because of how we've defined 'define.' In merelogical nihilism, the focus is on the fundamental nature of reality and the perception of individuation and wholes.

Subjective Noumena in Art

Introduction to Subjective Noumena

Subjective noumena, a term borrowed from the philosophy of Immanuel Kant, refers to an imaginary object not derived from sensory experience such as sight, sound, touch, taste, or smell. In the visual arts, subjective noumena can be observed in many non-objective works of art. These works constitute the 'aestheticization of subjective noumena.'

Illustrations of Subjective Noumena in Art

Consider the illustrations and discussions of non-objective art. Abstract paintings often lack recognizable objects, yet they convey a sense of beauty and form. These works, completely devoid of traditional representational elements, evoke emotions and perceptions that do not rely on sensory input. For example, the work of Wassily Kandinsky, a pioneer in abstract art, can be seen as a prime example of the aestheticization of subjective noumena. In his paintings, he explored the spiritual and emotional power of color and form, creating a visual language that transcends the physical world.

Wolf Vostell's Conceptual Art

Wolf Vostell, a German artist, is another notable figure in the exploration of subjective noumena. His work often involved the deconstruction and recombination of physical and digital elements, challenging the viewer's perception and creating a sense of spiritual transcendence. Vostell's installations and performances often blurred the line between reality and the imaginary, leaving space for the viewer to fill with their own subjective experiences. His pieces are a powerful expression of how art can transcend the physical world and touch on deeper, more abstract concepts.

Conclusion

The aestheticization of subjective noumena is a concept that bridges art, philosophy, and the human experience. It challenges our perceptions and invites us to explore the boundaries between the physical and the metaphysical. As mereological nihilists, we might view reality as constantly changing and constantly being reshaped. In this context, the beauty and form found in subjective noumena become a manifestation of this constancy, reflecting the true nature of our existence.