The Freedom to Play: Exploring the Boundaries of Chord Progressions on Guitar

When it comes to guitar playing, especially when it involves songs by others, the question often arises whether one can play their own unique chord progressions. This article discusses the various perspectives and considerations surrounding this practice, including its implications for creativity, audience perception, and legal aspects.

Playing Your Own Chord Progressions

Barrie, a seasoned musician, succinctly summarizes the essence of this discussion: “Yes. And it is just as okay for people listening to it thinking it sounds horrible.” This statement emphasizes the individuality of musical expression and the fact that one's creative choices do not solely depend on external validation.

When it comes to learning songs, one can certainly refer to books or sheet music that provide standard chord progressions. However, if you are writing your own songs, using your own chord progressions is not only acceptable but highly encouraged. As Barrie also mentions: “Use your own chords when writing your own songs.”

Performing Solo or with Others

Playing solo, such as in your own bedroom, is a different realm than performing publicly. As Barrie suggests: “Sure why not! You'll be playing in your own bedroom right? Not on national TV. So what should anyone care what you play.” This statement highlights the importance of context in evaluating your musical choices.

When performing with others, however, synchronization and mutual consent are crucial. Barrie notes: “All good wishes and happy playing,” but also suggests that “for playing with others no this won't do - you all have to be on the same page.” Here, unity in performance is emphasized as a key aspect of co-creation and collaboration.

Stephen Stills and Woodstock - A Historical Perspective

Further insights come from a story about Stephen Stills and Woodstock. According to Joni Mitchell, “Stephen stills liked the song but not certain things,” illustrating that even within the same song, different interpretations can exist. However, Joni's perspective is clear: “That's what you do with a song. Only rule is to play good music.” This shows that originality and creativity are key, provided they result in quality music.

Copyright Considerations

When it comes to publicly distributing your music, especially for recordings, the situation changes. As Barrie points out, changing chord progressions is one thing, but “you can’t record it and publicly distribute it without getting permission to use the lyrics from the original author.” This introduces a critical point about copyright law and the legal implications of re-arranging music for public consumption.

Nevertheless, as Steve Vai once said, “Whatever floats your boat.” You can indeed play whatever you want, as long as you are not breaching any legal rights. Many performers modify existing songs to suit their style, often creating what is called a “re-imagining” of a piece. As long as the chords properly support the melody, and your audience appreciates the result, you are on the right track.

Conclusion

In summary, the freedom to play your own chord progressions on guitar is a fundamental aspect of musical creativity. Whether for personal enjoyment or public performance, the emphasis should always be on the quality and originality of your music.

Key Takeaways:

Playing original chord progressions is acceptable and encouraged, particularly when creating your own songs. When performing solo, your choices are less scrutinized, while performing with others may require more coordination. Copyright considerations must be taken into account for public distribution of your music. Create your music freely, but always ensure it is good music and resonates with your audience.

Keywords: chord progression, guitar playing, music arrangement, copyright, originality